It is deep summer and I am sweaty and hunched over the side
of the swimming pool. I am 10 years old but my scrunched nose is already losing
its snubbiness to obstinate aquilinity. My brow furrows against the noon and
the blinding chlorine sheen and my blazing self-consciousness. Naked, wet,
prepubescent bodies crowd around me. Every jostling mound of unfreckled flesh stretching
the back straps of swimsuits seems more at ease with its own existence than I
could ever imagine. I have lost all hope for myself in the flood of such
languidity, such happy comfort in defiance of what feels, to me, an
insurmountable and unswimthroughable communal pool of insufferable discomfort.
I am insufferable, crushed into a tiny invertebrate I hate by social alienation
and a seemingly inveterate feeling of inferiority. I learned to breathe through
my nose after doubled and redoubled efforts from coaches, overcoming the
genetically labyrinthine difficulty my nose has found, since infancy, in coaxing
air through its passages. So I am not afraid to dive. I speak in full sentences
but only half-poems in my head. I start every internal sentence with “I,” just
like this, because I am the only thing I know and am not wary of. I sog my
sentences with sacks of adjectives and adverbs because I still do not
understand action. Nonetheless, I plunge and drench. Acid blue, frantic
movement. I open my eyes and mouth under water and feel briefly but pleasantly
fishlike. Life is not so bad. What a lovely sensation, an ice-crack of release,
to leap from sweaty concrete swaying from the heat-haze, to jackknife into an
oceanic bloom, to feel the balloon-pop bursting away from your body all around
you. You feel important in that moment, don’t you? The water says, “look what
you have done” and explodes to embrace you by each atom. A lovely sensation.
Life is not so bad. I will hunt that moment down, that interlude between
heat-haze and cool, liquid clarity, for ten years to come. I will love the color green because it falls peacefully
between those two poles: cheery, alarming yellow and languorous blue. Trees and
plants, the greenest among us, understand blue and yellow better than anyone
else. They drink only sunshine and water and wear the color of my eyes on every
finger. Butter and blueberries make, objectively, the best pancakes. Be as the
pancakes are, says my ten-year-old self to my ten-year-old self, copefully.
Unfortunately, I have developed a sense of humor funny only to myself, since I
am the only person I hang out with. This would probably make the things I say
even funnier to people, if I said them with bravado and staccato self-confidence,
but of course I do not. My self is my whole world, I am ambivalent. I have occasional moments of what feel like greatness and unique
understanding, and I feel destined for glory. But this gives me a frustration,
hatred for, and obsession with other people, because they seem at ease and
happy, and because they do not recognize my glory, and because I hate who I am
around them, and because I hate hating. I become both avoidant and desperate,
but spend most of my time alone out of sheer unavailability of human contact. I
am homeschooled. I also glide underwater to the next side. I somersault as the
concrete approaches and kick off a little unevenly for the next lap. The
pointlessness of this never feels oppressive to me, for some reason. I daydream
while I swim, just as I daydream while doing anything but reading. I live this
time only for what my head and other heads create. I move fluidly between
dreaming worlds and feel calm, so calm, so so calm when I am alone with words. A
still, stretching pool for only me. I defend my words like a wolf mother and I
return to their breast like a helpless child. Like a helpless child? I am a
helpless child. But even this pleasant dreaminess, my private subterfuge of
present evil, will be beaten out of me by the evil itself until I am too concrete,
sweating and swaying and sinking through sterilized water. At the moment, in
some sense, I believe in myself – that my opinions and perspective matter, and
bring a unique value to an outer world that could be improved by them. I will
lose this to a pathological fear of egotism, but will become egotistical
anyways. I am not always so grim. I am really not always anything. Other than,
perhaps, a proficient swimmer. I surface and return to the back of the line of
waiting divers.
Sunday, September 25, 2016
Monday, June 6, 2016
fragments, pt 6
Celebrity, longevity --
Take it lightly,
Brake for levity.
Austerity is relaxative,
Truth and posterity both just relatives.
Brevity laughs the last imperative:
Love everything that leaves.
Take it lightly,
Brake for levity.
Austerity is relaxative,
Truth and posterity both just relatives.
Brevity laughs the last imperative:
Love everything that leaves.
fragments, pt 5
In love with the human singularity,
In love with the tandem and the disparity,
In love with this new clarity:
The sincerity of the disguises we shed, by layers
Leaving torn veils that lead like trails
To this moment.
And then the next --
Recklessly in motion and at rest,
We connect in
Burst cocoons and dead skin.
Every shed exoskeleton feeds the bred ecosystem
Of our collective wisdom.
In love with the tandem and the disparity,
In love with this new clarity:
The sincerity of the disguises we shed, by layers
Leaving torn veils that lead like trails
To this moment.
And then the next --
Recklessly in motion and at rest,
We connect in
Burst cocoons and dead skin.
Every shed exoskeleton feeds the bred ecosystem
Of our collective wisdom.
fragments, pt 2
light moves over your sleeping body:
a shifting patterned robe
fluttering lacework
curling arms
wind chimes
comforter, lavender, coal
endless texture mixer
color theory wheel
hollow-pocked cheeks
parted lips
crooked teeth
crack me like a walnut
my apple-hearted crock pot
kin, catharsis, improv
partner, cartwheel, seasalt:
burning incense,
trailing thunder,
steady breather,
fists like cusping peonies --
open me.
a shifting patterned robe
fluttering lacework
curling arms
wind chimes
comforter, lavender, coal
endless texture mixer
color theory wheel
hollow-pocked cheeks
parted lips
crooked teeth
crack me like a walnut
my apple-hearted crock pot
kin, catharsis, improv
partner, cartwheel, seasalt:
burning incense,
trailing thunder,
steady breather,
fists like cusping peonies --
open me.
fragments, pt 1
Have you ever used a humble word?
Do you dare to eat a peach?
You cannot hear the mermaids singing
if you drown them in your speech.
I have seen their washed up bodies on the beach.
I have heard their mourners calling, each to each.
It didn't sound like this.
Do you dare to eat a peach?
You cannot hear the mermaids singing
if you drown them in your speech.
I have seen their washed up bodies on the beach.
I have heard their mourners calling, each to each.
It didn't sound like this.
Wednesday, March 16, 2016
Life goes on, and all my wishes have whittled down to one:
To be remembered as someone who tried.
I have outrun everything but desperate sincerity
And this shape-shifting fear-hound,
Nightmare dog on the heels of every thought.
Mutt, I have spent every night of my life
With my fist down your throat,
Clawing for the name to call you by
To cast you from me like a herd of pigs.
You are aloof, sarcastic,
You pretend not to notice
When you're coming or going.
I'm embarrassed by how casually
You drive me over cliffs.
You are so close these days that sometimes
You wear my body
And I watch,
Dumb,
Numb,
And skeletal in a fur coat,
What you do and say
And wonder
If my voice has always sounded that way.
Even now, alone,
I hear your paws picking paths
Down the hall outside my bedroom
And the hot fog of your breath.
Your eyes are fearful yellow and always glowing closer,
Like the headlights of a train constantly closing in
On a cartoon woman chained to the tracks.
What ritual will exorcise you?
All I want anymore is my skin back
And a knife to your throat.
To be remembered as someone who tried.
I have outrun everything but desperate sincerity
And this shape-shifting fear-hound,
Nightmare dog on the heels of every thought.
Mutt, I have spent every night of my life
With my fist down your throat,
Clawing for the name to call you by
To cast you from me like a herd of pigs.
You are aloof, sarcastic,
You pretend not to notice
When you're coming or going.
I'm embarrassed by how casually
You drive me over cliffs.
You are so close these days that sometimes
You wear my body
And I watch,
Dumb,
Numb,
And skeletal in a fur coat,
What you do and say
And wonder
If my voice has always sounded that way.
Even now, alone,
I hear your paws picking paths
Down the hall outside my bedroom
And the hot fog of your breath.
Your eyes are fearful yellow and always glowing closer,
Like the headlights of a train constantly closing in
On a cartoon woman chained to the tracks.
What ritual will exorcise you?
All I want anymore is my skin back
And a knife to your throat.
Thursday, March 3, 2016
forgive me
There are times I disappoint you,
O friend or fear behind each face --
And times I disappoint me, too.
But the former does not displace
My doubting of the latter's due
In the dispensing of our grace.
.
We travel up, between, and through
Exchanged relationships of space.
No transgression is old or new.
We disentangle. We embrace.
O friend or fear behind each face --
And times I disappoint me, too.
But the former does not displace
My doubting of the latter's due
In the dispensing of our grace.
.
We travel up, between, and through
Exchanged relationships of space.
No transgression is old or new.
We disentangle. We embrace.
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